He means:
I’m not fine. I just don’t know how to make that sentence safe for anyone else.
Oneordinary day, a man navigates calls about work, family, and friends while quietly falling apart. A new one-man musical about mental health, emotional silence, and the true cost of saying what everyone expects to hear.
Written and performed by Chris Duke. Directed by Lisa Duke.
Over a single ordinary day, a man navigates calls about work, money, parenting, friendship, and family. He is polite, functional, and reassuring. He sounds fine.
The audience witnesses the ground shift beneath him in real time. A collapse that barely looks like one. Honest, recognisable, and funny in places—because real life arrives in more than one emotional register.
It does not offer resolution. It offers recognition.
Written following an ADHD diagnosis at 39, which directly unlocked the ability to translate music from imagination to piano for the first time. Urgent in its purpose.
Short answers. No fuss. Hover over (or tap) each message to hear what is sitting beneath the surface.
On mobile, the context appears beneath each message.
I’m not fine. I just don’t know how to make that sentence safe for anyone else.
It’s worse than I can explain, but if I say that out loud it becomes real.
I’m trying to talk myself out of needing help by comparing pain like it’s a league table.
I’m exhausted in a way sleep won’t fix, but tired is easier to say than frightened.
I can’t do this alone, but I have mistaken silence for strength for too long.
Sometimes the best way to understand a show is to meet the person making it. This is Chris talking about 1 Missed Call, its origin, and why it had to be made.
Honest and personal. It doesn’t come from a comfortable distance. It comes from inside.
EdFringe is a critical launching pad. No investors or grants; this is a personal, mission-driven project built from the ground up.
Built on audience support. Making it possible for this show to exist.
Donate NowDifferent ways to answer the call. Every contribution helps carry the show to Edinburgh.
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Pin your note for £1A small team. A personal show. No distance between the material and the people making it.
Diagnosed with ADHD at 39, medication finally unlocked the ability to translate music from head to piano. That breakthrough directly created this show.
Lisa returns to theatre to make work that matters, earns its place, and treats its audience as intelligent adults.
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No investors or grants. Just a show that needs to exist, and people willing to help get it there.